Arulmigu Shiva Shankara Jaya Kailasa Muneeswarar Peetham temple is managed by a non-profit organization registered with Registrar of Societies as Persatuan Penganut Sri Arulmigu Muneeswarar Alayam (Reg. No. 2393/96). The temple has been carrying out many religious and social activities to benefit the Hindu community residing around the vicinity.

Tuesday, 11 August 2015

One Hundred and Eight Shiva Thandavam....

Aum Namah Shivaya......

Lord Shiva is also known as Nataraj, the Dancing God. This divine art form is performed by Lord Shiva and his divine consort Goddess Parvati. The dance performed by Lord Shiva is known as Tandava. Shiva’s Tandava is a vigorous dance that is the source of the cycle of creation, preservation and dissolution. Tandava depicts his violent nature as the destroyer of the universe.
Characteristics of Tandava Dance According to scholars, ‘Characteristics of the Tandava Dance’ have been described in the fourth chapter of Bharat Muni’s Nata Shastra, which is referred to as fifth Veda and an expression of Lord Shiva’s eternal dance - Tandava. It says that Shiva’s Tandava is embellished with 108 karanas and the 32 anghaharas - the composite parts of the dance. Bharat Muni further says that Lord Shiva conceived the dance, as he was very much fond of dancing every evening. Shiva further mentioned that 108 karnas included in tandava could be employed in the course of dance, fight, and personal combats and in other special movements like strolling.
Types of Tandava Some scholars believe that there are seven different types of Tandava. The tandava performed with joy is called Ananda Tandava and that which is performed in violent mood is called Rudra Tandava. The other types of tandava identified are Tripura Tandava, Sandhya Tandava, Samara Tandava, Kaali Tandava, Uma Tandava and Gauri Tandava. However, there are few people who believe that there are 16 types of Tandava.
Significance of Shiva′s Tandava Nritya According to religious scholars, the cosmic dance of Shiva, called ′Anandatandava,′ meaning, ‘the Dance of Bliss’ symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death. The dance is a pictorial allegory of the five principle manifestations of eternal energy - creation, destruction, preservation, salvation, and illusion.
According to learned scholar, Coomerswamy, the dance of Shiva also represents his five activities namely,
′Shrishti′ - creation, evolution
′Sthiti′ - preservation, support
′Samhara′ - destruction, evolution
′Tirobhava′ - illusion
′Anugraha′ - release, emancipation, grace
The overall temper of the image is paradoxical, uniting the inner tranquillity, and outside activity of Shiva.
Lasya The dance performed by Goddess Parvati is known as Lasya. In Lasya, the movements are gentle, graceful and sometimes erotic. Some scholars call Lasya, the feminine version of Tandava. Lasya is of two kinds - Jarita Lasya and Yauvaka Lasya. According to the Puranas, Shiva dances a wild and vigorous (tandava) dance in the cremation grounds at night but dances a soft and graceful (lasya) dance in the tranquillity of the twilight.

One Hundred and Eight Shiva Thandavam Listed below
ThalapushpapudamThandavam
VarthithamThandavam
LalithorukamThandavam
AbaviththamThandavam
SamangamThandavam
LeenamThandavam
SwasthikareshithamThandavam
ManadalashswasthikamThandavam
NiruttakamThandavam
ArththaniruttakamThandavam
KadichchinnamThandavam
ArththareshithagamThandavam
VasashwashthikamThandavam
UnthmaththagamThandavam
ShwashtikamThandavam
BirushtaswashthikamThandavam
ThiksswashthikamThandavam
AlaathakamThandavam
KadeesamamThandavam
AshipthareshithamThandavam
VishipthashipthakamThandavam
ArththaswasthikamThandavam
AnchithamThandavam
BujangathrashithamThandavam
OorththuvajanuThandavam
NigunjithamThandavam
MaththalliThandavam
ArththamaththalliThandavam
ReshithaniguttithamThandavam
PaathaabaviththamThandavam
LalithamThandavam
KoornithamThandavam
LalithamThandavam
ThandabatchamThandavam
BujangathrasthareshithamThandavam
NooburamThandavam
SyvasagareshithamThandavam
BrahmaragamThandavam
SadhuramThandavam
BujankaanchithagamThandavam
ThandagareshithamThandavam
ViruchigakuttithamThandavam
KadippranthamThandavam
LathaviruchagamThandavam
SinnamThandavam
ViruchigareshithamThandavam
ViruchigamThandavam
IvyamsithamThandavam
ParsuvaniguttagamThandavam
LalaadathilagamThandavam
KiranthagamThandavam
KunchithamThandavam
SakramandalamThandavam
UromandalamThandavam
AashibthamThandavam
ThalavilasithamThandavam
ArkkalamThandavam
VitchipthamThandavam
AavarththamThandavam
DolaapaathamThandavam
VivirththamThandavam
VinivirththamThandavam
PaatchuvakraanthamThandavam
NisthambithamThandavam
VithyuthpranthamThandavam
AthikranthamThandavam
VivarththikamThandavam
GajakreedithagamThandavam
ThalasamspodithamThandavam
GarudapluthagamThandavam
GandasoosiThandavam
ParivirththamThandavam
PaarsuvajanuThandavam
KiruthravaleenagamThandavam
SannathamThandavam
SoosiThandavam
ArththasoosiThandavam
SoosiviththamThandavam
AbakraanthamThandavam
MayooralalithamThandavam
SarppithamThandavam
ThandapaathamThandavam
HarinapluthamThandavam
PrengkolithamThandavam
NithambamThandavam
SkalithamThandavam
KarihasthagamThandavam
PrasarppithagamThandavam
SimmavikreedithamThandavam
SinkaakarshithagamThandavam
UthruththamThandavam
UbasirythagamThandavam
ThalasangkattithamThandavam
AynithamThandavam
AvakiththagamThandavam
NivasamThandavam
ElakaakkireedithamThandavam
OoruthviruththamThandavam
MathaskalithamThandavam
VishnukkiraanthamThandavam
SampraanthamThandavam
VishkambamThandavam
UthkattithamThandavam
VirushabakkireedithamThandavam
LolithamThandavam
NagaapasarppithamThandavam
SagadasyamThandavam
GangavatharanamThandavam

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