Arulmigu Shiva Shankara Jaya Kailasa Muneeswarar Peetham temple is managed by a non-profit organization registered with Registrar of Societies as Persatuan Penganut Sri Arulmigu Muneeswarar Alayam (Reg. No. 2393/96). The temple has been carrying out many religious and social activities to benefit the Hindu community residing around the vicinity.

Saturday, 15 August 2015

Power of divine camphor....

Aum Namah Shivaya........

Camphor is a small white crystalline substance used commonly in India and South East Asia. Also known as karpooram or kapoor, its burning is essential to any Hindu aarti ritual. There are some important spiritual reasons for its use in Hinduism and even a few scientific ones.

Spiritual And Scientific Benefits Of Camphor

1. The burning of camphor is symbolic of the destruction of human ego. When it is burned it slowly disappears without leaving any residue

2. The fumes of burning camphor purify the air and inhaling it can be beneficial.

3. Camphor can also purify the homes of devotees and drive away evil spirits and negative energy.

4. From a scientific viewpoint it can effectively kill germs and keep mosquitoes away.

5. Smelling camphor fumes can be beneficial for people suffering from sthma, typhoid and measles.

6. It also has the ability to give temporary relief to those who are afflicted by epilepsy, hysteria and rheumatism.

7. Camphor and camphor oil is also burnt in other cultures for similar reasons as it has many spiritual benefits.

Camphor is a transparent waxy crystalline material that has a strong pungent aroma. In French it is known as camphre, in Latin as camfora, in Arabic as kafur, and in Sanskrit or Hindi, we know it as karpura.

Camphor is widely used in Hindu religious ceremonies. as Hindus worship the holy flame by burning camphor. Burning of camphor symbolises union with God — just as the camphor burns itself out without leaving any residue, so does burning one’s ego in the fire of true knowledge will lead them to complete union with God.

According to the ancient Indian traditional systems of healing, camphor purifies the air and inhaling that air has numerous medicinal benefits. Camphor products are used to relieve pain and reduce itching. It has also been used to treat fungal infections and minor burns.

In the modern time, camphor is also available in the form of essential oil meant for aromatherapy and is an active ingredient in nasal, chest and muscular ointments. People who know its benefits, use camphor as moth and insect repellent too.

One of the biggest uses of camphor is to remove negativities. The following rituals can be performed using camphor if you feel an evil eye has impacted a person or a home.

w Burn camphor every morning and evening in the aroma oil dispenser or a camphor lamp so that the fragrance should reach all corners of the house or office. At times, there are huge deposits of soot on the outside of the bowl in which we burn the camphor. It is said that this is the negative energy which is now burnt.

w To remove your own negative thoughts, one can light fire in a small vessel, take camphor in right hand and rotate it thrice in clockwise direction over the face and head. Feel all the negative vibrations, thoughts and energy absorbed by camphor. Put the camphor in the burning fire until it extinguishes.

w Place a bowl of vinegar and add a square of camphor into it. Leave the bowl in every room that needs cleansing. Replace them everyday for 40 days, all negative energies in the space will be cleared

w Light a camphor tablet, ask the person whose evil eye impact has to be removed to stand facing east. Hold this lighted camphor and do three or nine clockwise and then three or nine anti-clockwise hand movements, one up and down movement in front of him/her. Then hold the pointer finger over the black portion of the flame. Put a tilak on the forehead and stomach of the healer and keep this burning camphor away and wash the healer’s hands, feet and eyes with fresh water.

Ayurvedic Names: Sanskrit-Kapoor, Ghausar, Himavalka
Hindi: Kapoor, Karpura,

International Names: English-Borneo camphor French-Camphre, German-Kampher-Persian- Kafu, Kafur, Kafoor Arabic-Kafoor.

History: India is the biggest user of camphor. It is a part of their Religious activities. In Hindu temples during the worship of god, various rituals has been conducted at the end camphor has been burned and offered to God with Prayers to conclude the worship. It was mainly imported by Indians from China, Japan & Subcortical Countries. It has been used in Ayurveda dating back to 5000 years mainly used as an germ killer. It is internally used for infectious diseases as well as externally on the skin, mixed with other material for infections.

Habitat: (a) Indigenos to Bornio. It is Commercially grown in China, Formosa, Sumatra, Medagaskar, Sri-Lanka, India and other subtropical countries. (b) It is a tree, grows fast in subtropical regions lives for hundreds of years. Camphor has been extracted from those trees which are about 50 or more years old and able to face mutilation.

Part used for oil : Whole tree but mainly chipping of the upper part of the stem has been done so that the tree can exist & produce more.

Source and Methods of getting oil: Chips of the stem of the tree has been mixed with water and left for few days, after that boiled in big tubs. The camphor resin comes out from the wood due to heat and float on the surface of the water it has been collected. It becomes solid when cools down. For getting essential oil camphor resin has been steam distilled again.

Constituents of the oil: Alcohol, Borneol, Pinene Camphene, Dipentene, Ketone, Camphor, Terpenes, Safrole

Action: Antiseptic, Diaphoretic, Stimulant, Antispasmodic internally expectorant, sedative, narcotic, Carminative, aphrodisiac

Aroma of the oil: It has a mixed bitter and pungent aroma with a strong penetrating odor. It is extremely volatile and has its own peculiar fragrance indicating camphor.
Uses in Ayurveda:

• Camphor has been burned to purify the atmosphere. It is an excellent Germ Killer. Hindus burn it at the end of their Rituals like fire sacrifice, worship of the God during auspicious ceremonies like marriage, birth of child etc. It is extremely volatile. It burns with much smoke & Bright redish light. Hindus bring Burning lamp of camphor near them and by their both hands push its smoke towards them and smell it. It is also considered as a ghost Buster perfume. It is believed by Hindus that camphor has hotter, pungent and penetrating aroma. It is so strong as well as powerful that it drives away evil forces such as ghosts, daemons, evil spirits and negativity from the atmosphere as well as places where it has been used. Scientifically speaking, drives away flies, mosquitos, and all kind of bugs from the place as well as Kills germs found in the atmosphere. As it produces very thick Dark smoke. Western people may not like it to burn it this way. Which Indians do not care, due to their spiritual belief. Best way to burn in the west is to burn its oil in the perfume lamps in the Room to purify the atmosphere and to drive away evil forces, lives in the Room.
Useful in all kinds of fevers like Measles, Typhoid, whooping cough, spasmodic Asthma, hiccup. In cases of hysteria, hymphomania, epilepsy. Its use has been proven effective. Also useful in dysmenorrhoea, acute rheumatism etc.

•In case of toothache, its use has been recommended useful. In diarrhoea collic pain, food poisoning and several digestive system infections. Useful in eczema of the genitals. It is a powerful stimulant for digestive, circulatory and nervous systems. Gives stimulation to the heart muscles, helps in mental depressions due to sudden shocks. It should always be taken only in moderation. Excess use may cause nausea, womating convulsions etc.

Tuesday, 11 August 2015

One Hundred and Eight Shiva Thandavam....

Aum Namah Shivaya......

Lord Shiva is also known as Nataraj, the Dancing God. This divine art form is performed by Lord Shiva and his divine consort Goddess Parvati. The dance performed by Lord Shiva is known as Tandava. Shiva’s Tandava is a vigorous dance that is the source of the cycle of creation, preservation and dissolution. Tandava depicts his violent nature as the destroyer of the universe.
Characteristics of Tandava Dance According to scholars, ‘Characteristics of the Tandava Dance’ have been described in the fourth chapter of Bharat Muni’s Nata Shastra, which is referred to as fifth Veda and an expression of Lord Shiva’s eternal dance - Tandava. It says that Shiva’s Tandava is embellished with 108 karanas and the 32 anghaharas - the composite parts of the dance. Bharat Muni further says that Lord Shiva conceived the dance, as he was very much fond of dancing every evening. Shiva further mentioned that 108 karnas included in tandava could be employed in the course of dance, fight, and personal combats and in other special movements like strolling.
Types of Tandava Some scholars believe that there are seven different types of Tandava. The tandava performed with joy is called Ananda Tandava and that which is performed in violent mood is called Rudra Tandava. The other types of tandava identified are Tripura Tandava, Sandhya Tandava, Samara Tandava, Kaali Tandava, Uma Tandava and Gauri Tandava. However, there are few people who believe that there are 16 types of Tandava.
Significance of Shiva′s Tandava Nritya According to religious scholars, the cosmic dance of Shiva, called ′Anandatandava,′ meaning, ‘the Dance of Bliss’ symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death. The dance is a pictorial allegory of the five principle manifestations of eternal energy - creation, destruction, preservation, salvation, and illusion.
According to learned scholar, Coomerswamy, the dance of Shiva also represents his five activities namely,
′Shrishti′ - creation, evolution
′Sthiti′ - preservation, support
′Samhara′ - destruction, evolution
′Tirobhava′ - illusion
′Anugraha′ - release, emancipation, grace
The overall temper of the image is paradoxical, uniting the inner tranquillity, and outside activity of Shiva.
Lasya The dance performed by Goddess Parvati is known as Lasya. In Lasya, the movements are gentle, graceful and sometimes erotic. Some scholars call Lasya, the feminine version of Tandava. Lasya is of two kinds - Jarita Lasya and Yauvaka Lasya. According to the Puranas, Shiva dances a wild and vigorous (tandava) dance in the cremation grounds at night but dances a soft and graceful (lasya) dance in the tranquillity of the twilight.

One Hundred and Eight Shiva Thandavam Listed below
ThalapushpapudamThandavam
VarthithamThandavam
LalithorukamThandavam
AbaviththamThandavam
SamangamThandavam
LeenamThandavam
SwasthikareshithamThandavam
ManadalashswasthikamThandavam
NiruttakamThandavam
ArththaniruttakamThandavam
KadichchinnamThandavam
ArththareshithagamThandavam
VasashwashthikamThandavam
UnthmaththagamThandavam
ShwashtikamThandavam
BirushtaswashthikamThandavam
ThiksswashthikamThandavam
AlaathakamThandavam
KadeesamamThandavam
AshipthareshithamThandavam
VishipthashipthakamThandavam
ArththaswasthikamThandavam
AnchithamThandavam
BujangathrashithamThandavam
OorththuvajanuThandavam
NigunjithamThandavam
MaththalliThandavam
ArththamaththalliThandavam
ReshithaniguttithamThandavam
PaathaabaviththamThandavam
LalithamThandavam
KoornithamThandavam
LalithamThandavam
ThandabatchamThandavam
BujangathrasthareshithamThandavam
NooburamThandavam
SyvasagareshithamThandavam
BrahmaragamThandavam
SadhuramThandavam
BujankaanchithagamThandavam
ThandagareshithamThandavam
ViruchigakuttithamThandavam
KadippranthamThandavam
LathaviruchagamThandavam
SinnamThandavam
ViruchigareshithamThandavam
ViruchigamThandavam
IvyamsithamThandavam
ParsuvaniguttagamThandavam
LalaadathilagamThandavam
KiranthagamThandavam
KunchithamThandavam
SakramandalamThandavam
UromandalamThandavam
AashibthamThandavam
ThalavilasithamThandavam
ArkkalamThandavam
VitchipthamThandavam
AavarththamThandavam
DolaapaathamThandavam
VivirththamThandavam
VinivirththamThandavam
PaatchuvakraanthamThandavam
NisthambithamThandavam
VithyuthpranthamThandavam
AthikranthamThandavam
VivarththikamThandavam
GajakreedithagamThandavam
ThalasamspodithamThandavam
GarudapluthagamThandavam
GandasoosiThandavam
ParivirththamThandavam
PaarsuvajanuThandavam
KiruthravaleenagamThandavam
SannathamThandavam
SoosiThandavam
ArththasoosiThandavam
SoosiviththamThandavam
AbakraanthamThandavam
MayooralalithamThandavam
SarppithamThandavam
ThandapaathamThandavam
HarinapluthamThandavam
PrengkolithamThandavam
NithambamThandavam
SkalithamThandavam
KarihasthagamThandavam
PrasarppithagamThandavam
SimmavikreedithamThandavam
SinkaakarshithagamThandavam
UthruththamThandavam
UbasirythagamThandavam
ThalasangkattithamThandavam
AynithamThandavam
AvakiththagamThandavam
NivasamThandavam
ElakaakkireedithamThandavam
OoruthviruththamThandavam
MathaskalithamThandavam
VishnukkiraanthamThandavam
SampraanthamThandavam
VishkambamThandavam
UthkattithamThandavam
VirushabakkireedithamThandavam
LolithamThandavam
NagaapasarppithamThandavam
SagadasyamThandavam
GangavatharanamThandavam

GODDESS VINAYAKI or Ganeshani is the feminine form of Lord Ganesha.

Aum Namah Shivaya.......

GODDESS VINAYAKI or Ganeshani is the feminine form of Lord Ganesha....... She is the ‘Mistress of Obstacles’. Vinayaki is also known as Gajanani, Ganeshwari Gajamukhi or Vigneshwari. Goddess Vinayaki worship is prevalent in the Tamil speaking south of India. In the Madurai area in Tamil Nadu, Vinayaki is referred to as Vyagrapada Ganapathy.In Tibet, an elephant headed goddess, Ganeshani, is worshiped in Tibet.

SHAKTI: Goddess Vinayaki is elephant-headed Goddess just as Ganesha is the elephant headed God of Obstacles. Her elephant head shares a female body. With such attributes, Vinayaki is assumed to be the Shakti of Vinayaka or the female form of Ganesha. The Agni Purana is the one of the first Purana that lists Ganesha’s shaktis. Linga Purana also list Vinayaki as a Shakti.

MATRIKA: In the Devi Purana and some Upapuranas, Gananayika or Vinayaki is identified as Ganesha’s Shakti. Here she is elephant headed and has the ability to remove obstacles. This places her as the ninth Matrika. Traditionally seven matrikas are mentioned. But the list seems to be extended to accomodate Mahalaskmi or Yogeshwari and Vinayaki as the eighth and ninth Matrika.
Vinayaka is mentioned in the Matya Purana to mean ‘belonging to Vinayaka or Ganesha’. There, she is one of the Matrikas considered as a Shakti of Shiva more than Ganesha. Here Vinayaki is associated to Ganesha by name only and she is created to by Lord Shiva to fight the demon Andhaka.
PURANAS: Mahapuranas and Upapuranas carry legends pertaining to Lord Ganesha’s marriage. Some religious scriptures put Ganesha on par with Hanuman to be a Brahmachari practicing celibacy. However, by Puranic accounts, he was married to Riddhi, Siddhi and Buddhi. Ridhi represents prosperity, Siddhi represents spiritual power and Buddhi represents wisdon. These consorts appear in human form and appear on either side. Vinayaka, seems to extend this list.

There are legends to state that Goddess Saraswathi, Goddess of knowledge and Goddess Lakshmi also married Lord Ganesha. Lakshmi and Ganesha are worshipped together, one removing obstacles in the path of wealth and the other gracing wealth. Lakshmi apparently turns up as Riddhi – material welfare and Siddhi – spiritual prosperity.

In Skanda Purna, Lakshmi is cursed to have an elephant head, which she gets rid of doing penance to Lord Brahma. In Skanda Purana there is no reference to Vinayaki. But the cursed elephant headed goddess seems to be remotely linked to Malini, Ganesha as mother or consort Lakshmi.
Both Ganesha and Saraswathi control Buddhi. Now, Vinayaki is also considered to be the wife of Lord Ganesha. Man makes God in his own image and it appears that they have given the elephant headed God an elephant headed consort.

The Vayu Purana, Skanda Purana and Harivamsa describe elephant faced Matrikas. Female ganas take names like Gajanana or elephant faced. There is mention of Gajamukhi, elephant faced matrikas. Jyeshtha, the Goddess of Misfortune is also described as elephant faced. Ganeshani and Vinayaki are one of the sixty four Yogini Shaktis or matrika goddesses. But there does not seem to be any rituals or pujas attributed to Vinayaki.

DEPICTION: The description in Gorakshasamhita is an elephant faced Vinayaki, pot-bellied, having three eyes and four arms. She holds a parashu and a plate of modakas. In Shilparatna, the 16th century iconographical treatise, there is a description of an elephant headed goddess residing in the Vindyas. This image has two trunks and body of a woman. She is vermillion complexioned with ten arms. She is pot-bellied with a full breast and beautiful hips. These are post Shaktism images depicting Shaktis of gods.

A Vinayaki sculpture is found in Chitrapur Math in Shirali. Here, Vinayaki is full-breasted, but slender, unlike pot-bellied Ganesha. Her two front hands are held in abhaya, fear not and vrada, boon giving mudras. She carries a sword and a noose. Her trunk is turned to the left. This image is said to be a Shakta Goddess.

There is a non-potbellied Vinayaki from Giryek in Bihar. She is a four-armed goddess carries a gada, ghata and parashu. An image from the Pratihara dynasty shows a pot-bellied Vinayaki, with four arms holding a gada-parashu combination, a lotus, an unidentifiable object and a plate of modaka held by the trunks.

BUDDHISM: In the Buddhist tradition, there is a female Ganesha called Ganapatihridaya – Heart of Ganesha. Aryamanjusrimulakalpa, a buddhist text describes Vinayaki as siddhi of Vinayaka. She shares various attributes of Ganesha, she removed obstacles and is also elephant headed. Here Vinayaki is described as the daughter of Ishana. That is a reference to God Shiva.

Hara Hara Mahadeva........